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Spectacular Rare Large Antique Bird Print of The Large-Bill Puffin, 1868
1868 · Birds, Plants & Natural History

Spectacular Rare Large Antique Bird Print of The Large-Bill Puffin, 1868

$2,070
€1,850 · dollar price at today's exchange rate

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Shipping to the United States: $51 standard, $73 express, insured and tracked.

Date
1868
Maker
John James Audubon
Kind
Birds, Plants & Natural History
Size
50 × 40.5 cm (19.7 × 15.9 in)
Period
The Gilded Age
Reference
BGI-00187
What the condition grades mean
Excellent
Bright and clean, with no faults worth mentioning.
Very good
Only light signs of age, such as faint toning.
Good
Normal signs of age for a sheet of this period: toning, some foxing, small marks or neat old repairs.
Fair
Clear faults such as staining, tears or repairs, priced to match.

Every fault we see is written in the condition note, and the whole sheet is shown uncropped in the photos.

Guaranteed original. This is an original of the period stated, not a later reproduction or print-on-demand copy. If it is ever shown to be otherwise, we refund you in full.
Shipping to the United States. Sent from our gallery in Langweer, the Netherlands, flat between boards or rolled in a tube, and fully insured. Delivery and import charges.

About this piece

The large-billed puffin, plate "Fratercula Glacialis," an original hand-colored lithograph from Daniel Giraud Elliot's The New and Heretofore Unfigured Species of the Birds of North America, published in New York for the author between 1866 and 1869. The large folio sheet is dated 1868 and is lettered "Drawn from Nature by J. Wolf, London" at the lower left and "Bowen & Co. Lith. & Col'd Philada." at the lower right.

A single puffin stands in profile on a pale rocky ledge in the foreground, drawn near life size, with its black back, white breast, gray face and orange legs. The deep bill is painted in bands of blue, yellow and red. Behind, two more puffins stand at the water's edge and another is in flight, over a calm sea with a low headland on the horizon. The species name is printed in capitals beneath the image.

Elliot's work concentrated on North American birds that Alexander Wilson and John James Audubon had not figured, with a particular focus on the American West and some species from Alaska and the Arctic. The plates were predominantly lithographed by Bowen of Philadelphia, here after a drawing by the celebrated natural history artist Joseph Wolf.

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