1898 · Views & Engravings
Antique Print of the Canadian Horse by O. Eerelman, 1898
$825
€735 · dollar price at today's exchange rate
Buy now Ask a question
Shipping to the United States: $51 standard, $73 express, insured and tracked.
- Date
- 1898
- Kind
- Views & Engravings
- Size
- 44.7 × 58.8 cm (17.6 × 23.1 in)
- Condition
- Good. Good. Please study image carefully.
- Period
- The Gilded Age
- Reference
- BGI-00931
What the condition grades mean
- Excellent
- Bright and clean, with no faults worth mentioning.
- Very good
- Only light signs of age, such as faint toning.
- Good
- Normal signs of age for a sheet of this period: toning, some foxing, small marks or neat old repairs.
- Fair
- Clear faults such as staining, tears or repairs, priced to match.
Every fault we see is written in the condition note, and the whole sheet is shown uncropped in the photos.
Guaranteed original. This is an original of the period stated, not a later reproduction or print-on-demand copy. If it is ever shown to be otherwise, we refund you in full.
Shipping to the United States. Sent from our gallery in Langweer, the Netherlands, flat between boards or rolled in a tube, and fully insured.
Delivery and import charges.
About this piece
The Canadian horse, a color lithograph from the Dutch edition of the "Paardenrassen Kunstalbum" ("Album of Horse Breeds"), after a painting by the Dutch artist Otto Eerelman, whose signature appears in the lower right corner. The album was published at Zutphen by Schillemans & Van Belkum, starting around 1898 and issued in installments of four prints. The plates were lithographed by J. L. Goffart, and the descriptive texts were by E. A. L. Quadekker. The sheet is a large one, about 59 by 44.5 cm, and the album as a whole numbers 41 plates.
The horse stands in profile facing right, a buckskin with a dark mane, tail and lower legs, on a patch of rough ground in front of two weathered wooden outbuildings and a cloudy sky. The pose, a stallion standing square to the viewer, follows the usual formula for breed portraits of the period.
Eerelman, born in Groningen and trained in Paris and Brussels, settled in The Hague and became well known for his horses and dogs, including commissions from the Dutch royal family.