1734 · Views & Engravings
Religious Ceremony of the Inhabitants of the Island of Hispaniola, 1734
$315
€280 · dollar price at today's exchange rate
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Shipping to the United States: $51 standard, $73 express, insured and tracked.
- Date
- 1734
- Kind
- Views & Engravings
- Size
- 42 × 26 cm (16.5 × 10.2 in)
- Period
- Colonial America
- Places
- Hispaniola (Haiti & Dominican Republic)
- Reference
- BG-13806-67
What the condition grades mean
- Excellent
- Bright and clean, with no faults worth mentioning.
- Very good
- Only light signs of age, such as faint toning.
- Good
- Normal signs of age for a sheet of this period: toning, some foxing, small marks or neat old repairs.
- Fair
- Clear faults such as staining, tears or repairs, priced to match.
Every fault we see is written in the condition note, and the whole sheet is shown uncropped in the photos.
Guaranteed original. This is an original of the period stated, not a later reproduction or print-on-demand copy. If it is ever shown to be otherwise, we refund you in full.
Shipping to the United States. Sent from our gallery in Langweer, the Netherlands, flat between boards or rolled in a tube, and fully insured.
Delivery and import charges.
About this piece
Religious ceremony of the people of Hispaniola, a hand-colored copperplate engraving of 1734 from Les Cérémonies et Coutumes Religieuses de tous les Peuples du Monde, by Bernard Picart (plate numbered 96 at the top). The title is lettered "Cérémonie Religieuse des Habitans de l'Isle Espagnolle".
The scene is set in front of a great arched hut or shelter whose dark interior holds golden idols on a raised stand. Priests or chiefs in feathered headdresses gather before them, and a drummer in the foreground beats a large drum while others kneel, sing or dance. A long procession of figures approaches in the middle distance at the left, and green hills rise behind. The color is applied in soft blues, reds, yellows and green.
Hispaniola was the first Spanish colony in the Americas, and Picart's picture draws on early written accounts of the Taíno there, interpreted through European conventions of theater and costume.